Friday, March 21, 2025

Book Review: The Punisher Complete Collection, Volume 3

Garth Ennis (author) and various artists, The Punisher The Complete Collection, Volume 3. New York: Marvel, 2016.  ISBN: 9781302901875.

Genre: comics
Subgenre: superheroes, antiheroes, crime
Series: Marvel MAX
Format: trade paperback
Source: Eastside Branch, Lexington (KY) Public Library 

I continue to read this collection that features the Garth Ennis run on The Punisher comics. This is part of Marvel's MAX series, meant for adults. This volume features three stories. 

In "Barracuda," Frank Castle, the Punisher, heads to Miami. He seeks to stop a corporation plotting to shut off power in parts of Florida in order to make a serious profit exploiting the situation. The corporate chief hires Barracuda, a seriously dangerous goon, to deal with Castle. Castle will need his brain as well as brawn to counter Barracuda and the corporate boss. This is a pretty solid story with good action and pace. It is very violent, and it features some gory moments. 

In "Man of Stone," Castle confronts an old enemy: Russian general Nikolai Zakharov. To complicate Castle's mission, CIA traitor Rawlins is in the mix trying to play his own agenda. A bit of intrigue and a good amount of action here. Overall, a good story. If you read the "Mother Russia" story from volume 2, you may appreciate this story more, but you can still read it on its own. 

Finally we get "Widowmaker." I remember reading this story years ago as a trade in the days before I started writing reviews and sharing them on the blog. By now, reading it felt like a new experience again. During his one man war on crime and the Mob, Frank Castle has left many widows behind. A group of mobster widows decides to take matters into their own hands and do what the men keep failing to do: kill the Punisher. They get weapons, make plans, study files to learn, and analyze where and how the men failed. However, when a new assassin enters the fray and starts hunting down the widows, we wonder about the assassin's motives, and are they friend or foe to Castle? This is a good story that builds up to a strong and shocking conclusion that hits. It is a tale with some moving moments; it may be the most powerful tale in this collection. 

This continues to be a strong series that draws you in. The art is excellent; the cover art designs included are a favorite for me. Overall, this is another excellent volume. 

Recommended for libraries that collect comics and graphic novels. Do note it is an adult title. I am really enjoying the series, and I would buy this volume for my personal collection. 

5 out of 5 stars.

Wednesday, March 19, 2025

Deck Review: Crystal Mandala Oracle

Alana Fairchild (author) and Jane Marin (artist), Crystal Mandala Oracle: Channel the Power of Heaven and Earth. Victoria, Australia: Blue Angel, 2016.  ISBN: 9781922161895.

Genre: oracle cards, cartomancy, divination
Subgenre: crystals
Format: 54-card deck with companion book
Source: I own this one 

Card 29: Ascended Master Kuan Yin and Pearl

This deck kit includes a companion book and a 54-card deck. Alana Fairchild writes and Jane Marin does the art. The deck "is encoded with crystal frequencies, and the high vibrational energy of angels, ascended masters, and goddesses to help you integrate the frequencies of the crystals and higher beings that are featured in each of the cards" (from publisher description in back of the box). That sounds great in theory, but it does not quite deliver on that promise in practice. 

The book is arranged as follows: 

  • Introduction. Goes over the basic concepts of the deck, the numbers, and the deck's three suits based on an angel, an ascended master, and a goddess. You also get some brief instructions on using the deck, a couple of three-card spreads, and a deck blessing. 
  • Crystal Angels 444 suit. 
  • Crystal Masters 333 suit. 
  • Crystal Goddesses 888 suit. 

Each card entry includes: card name and number, card keyword, a paragraph of meaning/interpretation, a small black and white image of the card, and a short essay expanding on card meaning and message. Each card entry concludes with a "healing process," a small ritual to help you integrate the lessons of the card. 

The main issue with the book and deck is that it feels incomplete. Though the publisher claims this is a standalone deck, it clearly assumes you have read Fairchild's previous books on angels, ascended masters, and goddesses. The deck's suits are based on the symbolic number themes of her books. To make matters worse, entries do not even include a minimal paragraph on any of the angels, ascended masters, nor goddesses. So you either need to have the books, and you need to consult the books, or you have to do your own research on whatever angel or figure that goes with a card. If you do not know the material beforehand or have the books, you will be missing a part of the overall experience with this kit. I will note there are a few figures I know from other reading or previous research, but a lot I do not know, and in the book Fairchild does not even give you a hint. Thus the kit feels incomplete. To be honest, saying this deck is a standalone deck is a bit misleading. 

Card 46: Goddess Kali and Black Obsidian
The cards themselves are very nice in terms of art. The artist does good work with the crystals' art. The art is colorful and bright. I was able to somewhat read the cards intuitively, but it is not easy. You do need the companion book to get the basics, and the other books if you want the full picture. Still these are beautiful cards overall, so it is a pity the companion book seems to lack essential material to aid the card reader. 

The cards measure about 5 1/2 inches b 3 3/4 inches. The cards have a glossy finish, so they can stick a little when shuffling. The cards are larger, so the deck can feel a bit heavy on the hands. The card back design is not reversible, though this deck is not really designed for reversals.

 

 

 

I really wanted to like this deck, but the text material is lacking. Using the deck assumes you have the author's other works, which I do not at this time, and I found that frustrating. In fact, had I known that, I would have avoided buying the deck. This is a deck I do not recommend. I've liked other works by Fairchild, but this one does not feel like her best work. The deck overall is optional at best.

2 out of 5 stars. 

 

This kit qualifies for the following 2025 Reading Challenge: 


 

 

Friday, March 14, 2025

Book Review: Big Book of Bizarro

Rich Bottles, Jr. The Big Book of Bizarro. Bridgeport, WV: Burning Bulb Publishing, 2011. ISBN: 9780615502038.

Genre: bizarro fiction
Subgenre: fantasy, scifi, horror, erotica, anthologies and collections
Format: trade paperback
Source: Hutchins Library, Berea College  

I do like to read weird fiction, so I was curious about this book and picked it up. The book features a foreword by editor Rich Bottles, Jr. and then we get 56 stories by various authors. The stories are arranged in categories: horror, sci-fi and fantasy, and erotica. 

In the foreword, the editor briefly discusses how this collection was created. He acknowledges that readers "are not going to like every single piece of prose in this anthology" but he hopes you'll find something "interesting, captivating, entertaining, and fun ahead" (ix). That sounds mostly right. 

As happens with many anthologies, quality can vary greatly from one story to the next. Carlton Mellick III is quoted on the foreword commenting that the Bizarro genre (at least at the time of the book) is still in a fledgling stage, as you read through many of the stories you can feel that. There are a few good stories. There are more that are average, and others just are not there yet. They may have potential, but they are not quite there yet. As a result, I often to drag myself to keep reading. Many of the stories were just not that interesting to me. On a positive, if you seek variety of themes and ideas, there is a lot of variety in this collection. You might find tales to like one way or another. In my case, I had to plow through to find the gems. 

One of the tales I particularly enjoyed was "The Whore of Dartmoor," which does a nice twist on dreams, authorship, and the idea of copyright. It may get you to see things like pastiches and fan fiction in a new light. Another tale I enjoyed was "Channel 666," which may make you rethink how much television you watch. 

Overall, the book was OK for me. By now, the genre has grown, and there are more options. If anything, this anthology may provide a glimpse of where the genre was at the time. I'd consider it an optional selection for libraries seeking to collect in the Bizarro genre. It does provide a sampling of what the genre can offer, but it is quite uneven. 

2 out of 5 stars.

Wednesday, March 12, 2025

Book Review: White Poverty

William J. Barber (author) with Johnathan Wilson-Hartgrove, White Poverty: how exposing myths about race and class can reconstruct American Democracy. New York: Liveright Publishing (imprint of W.W. Norton), 2024.  ISBN: 9781324094876.

Genre: current affairs, social issues
Subgenre: US politics and society, poverty 
Format: hardback
Source: Hutchins Library, Berea College  

This is a book that will stay with me for a while. It was not an easy read for me, in part due to the 2024 U.S. presidential election results. Reverend Barber has way more charity than I do when it comes to folks that, many of them, sent the Pendejo In Chief back to DC. I hear once more the old saying, fool me once, shame on you, fool me twice, shame on me. So I did my best to put that aside in order to read this book. Having read the book I am sure I can totally put that feeling aside, but I have a bit of clarity. I feel I understand a few things better, and it affirms something I believe strongly: if only we could unite against the oligarchs and robber barons, truly unite, we could truly change things. Therein though is the catch: getting people, especially the white poor, to see the struggles they have in common with other poor folks. 

Barber looks at the issue of poverty in the United States, focusing on white poverty. The U.S. as a whole tends to ignore or refuse to see white poverty. Heck, white poor people often refuse to see themselves as poor, and the politicians of both parties take full advantage of that attitude to push their agendas, agendas that certainly do not help those white poor folks, or no one else other than the oligarchs and robber barons. Barber, a Black minister, writes on white poverty because in the end poverty is poverty, and unlike politicians and racists, poverty does not care about the color of your skin nor any other demographic traits. 

In order to make his argument, Barber looks at four myths about poverty in the United States: 

  • Pale skin is a shared interest. 
  • Only Black folks want change in America.
  • Poverty is only a Black issue.
  • We can't overcome division. 

He then proceeds to discuss and dismantle those myths. The myths have been in the United States since the nation's birth, so it will take a lot of work to get people to see past them. The reverend puts in the work to break the myths apart using history, some Christian scripture (the man is a preacher), and many local stories and testimonies. The local stories and testimonies are a strength of the book. They are moving and powerful, and get the points across in practical terms. The good reverend often let's the poor folks speak for themselves. 

Barber has a lyrical and moving writing style that is also down to earth. You can't help but keep reading as he draws you in with warmth and kindness. I may not always agree with the man, but I kept on reading to see what he had to say and to learn more. 

In addition, the book also includes Wilson-Hartgrove's epilogue, which is a must-read, Barber's sermon for Biden's inauguration, and a notes section to document the statistics and facts presented in the book. 

As I often say and write, this is one of those books that more people, other than the choir, need to read. It certainly is timely reading in these Hard Times and for the work ahead. It offers important lessons. We just need to be willing to do the work and find what we have in common. 

I recommend the book for all libraries. In my humble opinion, this is a book that could be an option for the campus faculty book club. I will go a step further and say campus should invite the good reverend to speak at a convocation. Our students could get much benefit from such a convocation. Speaking of students, this book may be of interest locally for classes in General Studies, regional studies, ethnic studies, political science, and sociology. 

An essential read. It was worth it breaking my politics/activist stuff/social issues moratorium to read it. This book will likely go on my top list of nonfiction read for 2025. 

5 out of 5 stars. 


Additional reading notes: 

Why the author wrote the book: 

"I've written this book to ask America to look at its poor-- all its poor-- in the face and acknowledge that those faces are overwhelmingly white" (ix). 


Defining poverty in the book: 

"When I talk about poverty in this book, I'm talking about every American who lives in the edge-- not because they choose to, but because of policy decisions we continue to make as a nation. It's critical to name that poverty isn't an isolated experience in America. It is everywhere. And while it disproportionately weighs on Black and brown people, this basic fact of American inequality remains hidden in plain sight: white people are by far the largest racial demographic among America's poor" (xii). 


The failure of American politicians in both parties to name or even acknowledge the problem: 

"Over the past half century, Republicans in public life have tended to blame the poor, repeating myths that suggest poor folks are not people facing a problem, but rather are themselves the problem. Democrats, on the other hand, have tried to avoid talking about poor people by developing euphemisms like 'those aspiring to the middle class.' Meanwhile, people who don't have enough to make ends meet aren't sure anyone sees them. Are they 'working class' if they make it to their low-wage job in the minivan that their whole family slept in last night? Does 'lower middle class' include them if they sleep in a bed that someone who works third shift use while they work the day shift at the local factory?" (10). 

On a side note, I said prior to the 2024 U.S. elections that Democrats were not listening, and that was going to cost them. I did not think at the time they would lose the election, but I figured they would at least sweat bullets. They failed to read the fucking room. At the very least those people wanted to be listened to, acknowledged, taken seriously. Democrats ignored them and thus made them easy picking for the GOP and its pandering. Not that the Republicans would do better by them-- they will not-- but for a brief moment they pretended to listen, to show some interest. I add to this the words of author Brian Keene, which I paraphrase from memory: never underestimate the power Americans feel in saying fuck you, even if they go down too. But in the end, as I often say, I am not a pundit nor play one on TV. 


This is just a good image and line: 

"From the hills of Appalachia to the streets of Ferguson, there is a tie that binds people of every race who get up in the morning and strive to hew a stone of hope out of the mountain of hardship that weighs on their backs" (29). 


The problem in United States politics (or one of the many problems): 

"The problem in American politics isn't that poor white people vote against their interests so much as it is that poor people don't have anyone to represent their interests" (76). 


What a seer actually is, at least in the time of prophets: 

"When the ancients called prophets 'seers,' they didn't mean that they have magical powers to look into a crystal ball and foretell the details of a future none of us can know. Instead they meant that seers can see the patterns of our shared life and know where our choices are leading us" (139). 

Not that I would declare myself a seer, but between training, education, observation, intuition, and doing my own Great Work, I can see patterns fairly well. As a cartomancer, it is not so much magic and telling the future (though I do have my magic); it is about making sense of the patterns you see and seeing them honestly. The signs are there to be seen if one is willing to see them and hear. But again, I am not a pundit nor play one on TV. 

A line to remember: 

"We can't work for justice in America without talking about race, but we do not need to make white people our enemy to challenge racism" (194). 

That seems so simple and yet so many people in the U.S. outright forget it or ignore it. 


A couple of books from the notes section for my TBR list: 

  • Sylvie Laurent, King and the Other America
  • Matthew Desmond, Poverty, by America. To be honest, I had this book on my TBR list as I got a review copy before my boycott of publishers and imprints that sued Internet Archive. So I could have read it, but figured I could skip it due to the boycott. However, my library did get a copy, so I can read it on the basis of having the review copy before the start date and also to review it for our library. We'll see.



Book qualifies for the following 2025 Reading Challenge: 



Monday, March 10, 2025

Book Review: Tarot Spreads

Barbara Moore, Tarot Spreads: layouts and techniques to empower your readings. Woodbury, MN: Llewellyn Worldwide ,2012. ISBN: 9780738727844.

Genre: Tarot
Subgenre: Tarot and cartomancy spreads, reference, textbook
Format: trade paperback
Source: I own this one. 


By now, it has been about 9 years in cartomancy journey. I use Tarot and card spreads, but so far have not made a spread of my own. It is a skill I would like to learn, so I finally picked up this book. Moore provides a good selection of spreads plus techniques for finding patterns in cards as you read and ways to put spreads together.

The book is arranged into seven chapters: 

  • Chapter 1: Tarot Spread Basics.
  • Chapter 2: Design Principles and Layouts. Yes, there are some principles. At times I wonder why a creator used one layout over another. While I am sure a lot of creators just "wing it," there are some principles to help organize your spread and make it flow better. This idea was new to me. 
  • Chapter 3: A Collection of Spreads. This is the core of the book with classic and other spreads organized by theme.  Some are spreads that Moore has made; others she has gathered from other sources. Moore also describes how she has modified a particular spread and/or offers suggestions for alternative interpretations. You get a lot of value in this chapter. 
  • Chapter 4: Techniques to Add to Any Spread. This features options and ideas you can add to an existing spread. It may be a small change here or there, moving a card, changing your focus and more. 
  • Chapter 5: How to Modify Spreads. Before teaching about making your own spreads, Moore shows us how to modify an existing spread. The idea here is to modify or tweak a spread so it can better meet your needs. You don't have to just make a new spread from scratch if you do not want to do so. Here you work with what you have. 
  • Chapter 6: Do-it-yourself spread design. This is where you make your own spreads. As Moore points out, cartomancers usually have a collection of spreads. I have a few, and I add a new one to me here or there. Once in a while you feel a need to make your own, and this chapter shows you how. The chapter includes examples of spreads Moore has built to illustrate the lessons.
  • Chapter 7: How to do a 78-card reading. I admit this seemed a bit daunting for me, not unlike the Grand Tableau spread in Lenormand.. These are spreads that use all the cards in a deck. However, Moore breaks it down, starting with a smaller spread, then building upon it until  you have all 78 cards in place. 
  • In addition, the book includes a list of spreads (alphabetical by spread name), an introduction, conclusion, spread cross-references (a list of spreads by theme), an annotated reading list (for further reading and learning), and three appendices on old spreads, elemental dignities, and significators. 

A strength of the book is the incremental learning. Moore starts with the basics, and she gradually works her way up. If you are already adept at making spreads, you could skip ahead. For those of us still learning, start reading from the beginning, do the exercises, and build up your own skills and knowledge. Reading through the book I feel that I can learn this. It is not as difficult as I initially thought. 

Moore writes in a simple and clear style. She explains things well. Yes, this is sort of a textbook, but the way she writes she draws you in, and you keep reading. 

I read through the book this time to start learning, get a feel for the book, and to write this review. Having read it, I know this is a book I want to keep handy. I will read it again to try some of the spreads and when I feel ready to make my own spreads. For beginners and intermediate learners, I'd say this book is essential. 

I strongly recommend this for libraries that collect books for pagans and other esoterica. I would order it for our library. I own this one, and I am glad to have it on my shelf. 

5 out 5 stars. 

 

This book qualifies for the following 2025 Reading Challenge: